Sun 25 Nov - TRUDY KERR (voc)
Trudy Kerr is renowned as one of the UK's finest jazz vocalists. All About Jazz has described her as "100% real jazz musician with fluid phrasing and a mellifluous, warm and sensuous tone." Trudy will feature songs from her new CD which is based around the Dave Brubeck/Paul Desmond repertoire.
Sun 09 Dec - JOSEPHINE DAVIES (sax)
Josephine has an unusual background as a jazz musician, having initially trained in classical flute and piano. She then studied alto saxophone at the Guildhall School in London, but then switched her instrument to tenor sax. “A truly gifted and imaginative saxophonist" All About Jazz. "...confident, fluent and imaginative” The Jazzman.
Sun 23 Dec - ALAN BARNES (saxes & clt)
Our Xmas gig could feature no one better than the great Alan Barnes. His unique musicianship, indefatigable touring, and warm rapport with audiences have made him uniquely popular in British jazz. He has received over 25 British Jazz Awards, most recently in 2014 for clarinet, and has twice been made BBC Jazz Musician of the Year.
Sun 06 Jan - ANDY PANAYI (saxes & flute)
Andy is an exceptionally gifted jazz musician, skilled in performance, composition and arranging. He plays all the flutes and all the saxophones and currently leads his own groups, both jazz and classical. He is professor at The Royal College of Music and The Royal Academy of Music in London and the Birmingham Conservatoire.
Sun 20 Jan - JULIAN MARC STRINGLE (clt)
"Julian is an immense talent! Probably the best clarinettist to emerge in British jazz for several decades. His playing has ‘world class’ written all over it". Sir John Dankworth. "Stringle's clarinet sound is exquisite. It has freshness, sparkle and a flute-like softness. At times he makes the clarinet sound re-invented". John Fordham, The Guardian.
Sun 03 Feb - SUE RICHARDSON (trp & voc)
Since being tipped for the top by Jazzwise magazine, Sue’s career has gone from strength to strength. "If Chet Baker and Clifford Brown are two of her main role models - her timbre is warm and full-bodied - her soloing, while avoiding high-note theatrics, evokes the generosity and exuberance of players from the swing era.” The Times.